Set in 1978, the film marks the fourth joint effort between Monzón and Jorge Guerricaechevarría, and tells the action-packed, adrenaline-fuelled story of 17-year-old Nacho Cañas, an introverted student who lives in Girona and who is something of a misfit. When he meets El Zarco and Tere, young delinquents from the city’s Chinatown district, he gets caught up in a love triangle that leads him to indulge in an unrelenting onslaught of thievery, burglary and hold-ups that will change his life forever. The film is the chronicle of the summer during which Nacho experienced his first love and came of age, constantly crossing the boundary between two worlds, and overstepping the line that exists between right and wrong, between justice and injustice.
没有任何期待去看的,结果被彻底惊艳到了。宣发不多,演员阵容也不算豪华,但成片质量完爆很多大制作。这说明一个问题:好的电影不一定要有大阵容和大预算,关键是用心。导演虽然名气不大,但叙事功底非常扎实,几个镜头的设计甚至让人想起一些大师的作品。希望更多的人能看到这部被严重低估的好作品。
看完之后想了很久,很多细节在脑海中反复回放。这不仅仅是一个好看的故事,更是对某些社会现象和人性本质的深刻探讨。影片没有说教,没有强行输出价值观,而是通过人物的经历和选择,让观众自己去体会其中的含义。不同的人可能会从中看到不同的东西,这正是好作品的魅力所在——它有足够的层次和维度供不同观众去解读。
这部动作片的评价真的见仁见智,我觉得取决于你带着什么样的期待去看。如果你想看一部轻松愉快的商业片,那可能会觉得节奏偏慢;如果你期待一部深刻有内涵的艺术片,那可能会觉得处理还不够深入。它恰好卡在两者之间,既不够商业也不够文艺。但这本身可能也是一种风格选择。我不觉得它是一部烂片,但也说不上是一部经典之作。
叙事节奏完美,每集都有新进展,追番体验非常好。
从个人体验看,《亡命之徒》属于会推荐给朋友的级别,不是粉丝滤镜,而是作品本身站得住。
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