When retired East End villain Charlie Archer is murdered by a feral street gang, his brother Ritchie returns to London from Spain to investigate. With the police investigation drawing blank after blank, Ritchie decides to take the law into his own hands and bring his old school justice back to the streets of East London. Rounding up his old firm, he leads a vigilante crusade against the vicious young criminals, using every grizzly method at his disposal to find and punish his brother s killers. They're outgunned and outnumbered, but this firm has never been outclassed yet.
原以为正义必将战胜黑手党,结果并不是这样,开始以为是个探案片,结果不能定义
拍的什么乱七八糟的 那婊子应该有个心理历程
同样是跟小说给我留下的印象不太一样,极端放大教授的paranoia与孤立无援感,跟走通俗剧情路线的《白天的猫头鹰》不同还是相当强调导演作者性的,叙述较为含糊胜在视觉风格强烈,大量采用调长焦的窥视跟踪视角放大角色。跟美国片不同文人查案并不会突然变得能打,Volonte顶着乱毛又弱又慌张的样子怪萌的(有被摸头)巴卡洛夫这个配乐从片头起就赶脚给力,抒情钢琴弦乐/惊悚打击乐,悲剧配欢歌。
以西西里黑手党为背景,将简单的复仇情杀迅速发展为政治惊悚事件,从而揭开政府、教会与家庭交织的密网。贝多利的作品因左派男主角的断送归路而具有屈从感。受帮派政治左右的国家所具有的两面性时刻通过影像对比来表现。鲜明的六十年代卡里普索节奏配以忧郁钢琴及威胁鼓声也增添了情节发展的黑暗。
小说还未读完就来看电影版。回想小说里的伏笔,悚然。
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