没有和解5.0
类型：剧情 其它 1965
主演：Heinrich,Hargesheimer,Carlheinz,Hargesheimer,Martha,Staendner,达尼埃尔·于伊耶,Henning,Harmssen,Ulrich,Hopmann,Joachim,Weiler,Eva-Maria,Bold,Hiltraud,Wegener,Ulrich,von,Thüna,Ernst,Kutzinski,Karl,Bodenschatz,Heiner,Braun,Georg,Zander,Lutz,Grubnau,若阿内斯·巴尔斯基,保罗·埃塞尔
导演：让-马里·斯特劳布,达尼埃尔·于伊耶
播放地址
剧情说明
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
观众心声
改编自《九点半的台球》。每一幕都充满布莱希特式的陌生感，结构极繁复，爆破与重建。
画面很干净，透着优雅，有评论说是德国布列松，可以说是准确了，有那个意思。
【MUBI】虽然归为Straub名下，但由本部起，应该都归为Straub–Huillet夫妻档才更为合适。本片已经可以一窥后续作品风格，但更能看出Straub之前在布列松，冈斯等人做助理时受到的影响。一部浓缩的就是精华的政治评论。
汉语译名这么简练。。上课睡着了 report悲剧了
35mm EPD J-MS 后重看《Chronik der Anna Magdalena Bach》20±（DCP）
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