Problematic father figures and a pill-pushing doctor lead a Danish man into darkness in Isabella Eklof's powerful drama echoing with colonial conflict.
Jan is on the run from himself and his traumas after being sexually abused by his father. Now he lives with his family in Nuuk, Greenland, where he works as a nurse and does his best to assimilate into the local community. However, his past catches up with him through a letter from his now dying father, plunging him into a downward spiral of drugs and extramarital affairs. Emil Johnsen is captivating in the lead role, portraying Jan as both boyishly fragile and deeply unsettling. Haunted by his own father figure he's reflecting Denmark's paternalistic relationship with Greenland and its population. Isabella Eklof follows up her acclaimed debut (Holiday, GFF 2018) with a courageous exploration of human darkness, based on Kim Leine's autobiography, solidifying her position as one of our most exciting Nordic directors.
源自:https://program.goteborgfilmfestival.se/en/program/kalak
角色形象鲜明立体,不是简单的善恶二分,每个角色的行为都有其内在逻辑。
视觉效果达到了一个新的高度,某些场景的视觉呈现让我不由自主地张大了嘴巴。特效不是单纯的炫技,而是完全服务于故事情节和氛围营造。特别是那一场高潮戏,视觉、音效、表演三者的完美结合,创造出了令人窒息的观影体验。看完之后的第一反应就是:下次一定要看IMAX版。
强烈推荐入坑,越往后越精彩,不要被开头的慢节奏劝退。
从个人体验看,《卡拉克》属于会推荐给朋友的级别,不是粉丝滤镜,而是作品本身站得住。
好久没有笑得这么开心了。最难的就是让笑点显得自然不做作,这部作品做到了。每一个包袱的铺垫和抖落都拿捏得恰到好处,演员的喜剧节奏感也无可挑剔。更难得的是,在密集的笑点之外,影片还有一个温暖的内核。它不是单纯为了搞笑而搞笑,而是通过幽默来包裹着对人性和生活的温柔观察。笑完之后你还会觉得心里暖暖的,这才是高级的喜剧。
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