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情节大要
大概是法国第一部描写女同志的故事片吧。
Olivia (also known as Pit of Loneliness) is a 1951 French film directed by Jacqueline Audry. It is based on the 1950 semi-autobiographical novel by Dorothy Bussy. It has been called a "landmark of lesbian representation". Olivia arrives at a finishing school and falls in love with headmistress Mlle. Julie. Mlle. Julie feels the same, but tries to suppress her desire. For her part as Mlle. Julie, Edwige Feuillère was nominated for a BAFTA award for Best Foreign Actress in 1952.
French director Audry made 18 feature films from 1944 to 1972. Her earliest films are prime examples of the French 'tradition of quality.' She favored plots adapted from French literature. Audry is most distinguished from her peers in that her films were primarily focused upon female leads, whereas traditional French cinema is centered around the lives of men. Her most notorious film was 1951's Olivia, which dealt with lesbian relationships.
观众心声
《奥莉维娅1951》没有靠噱头博眼球，而是靠完整叙事和人物关系留住观众，这种作品通常更耐看。
这部剧情片的评价真的见仁见智，我觉得取决于你带着什么样的期待去看。如果你想看一部轻松愉快的商业片，那可能会觉得节奏偏慢；如果你期待一部深刻有内涵的艺术片，那可能会觉得处理还不够深入。它恰好卡在两者之间，既不够商业也不够文艺。但这本身可能也是一种风格选择。我不觉得它是一部烂片，但也说不上是一部经典之作。
《奥莉维娅1951》有几段对手戏非常精彩，Marie-Claire Olivia,Yvonne de Bray和搭档互相成就，冲突与和解都 believable。
看完之后想了很久，很多细节在脑海中反复回放。这不仅仅是一个好看的故事，更是对某些社会现象和人性本质的深刻探讨。影片没有说教，没有强行输出价值观，而是通过人物的经历和选择，让观众自己去体会其中的含义。不同的人可能会从中看到不同的东西，这正是好作品的魅力所在——它有足够的层次和维度供不同观众去解读。
没有任何期待去看的，结果被彻底惊艳到了。宣发不多，演员阵容也不算豪华，但成片质量完爆很多大制作。这说明一个问题：好的电影不一定要有大阵容和大预算，关键是用心。导演虽然名气不大，但叙事功底非常扎实，几个镜头的设计甚至让人想起一些大师的作品。希望更多的人能看到这部被严重低估的好作品。
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