Kaidan Botan Doro (Tales of the Peony Lantern) is based on the kabuki version of one of the most famous ghost stories in Japan. Shinzaburo flees an unwanted marriage with his brother’s widow and lives quietly as a teacher removed from his family. On the night of the summer Obon festival, he meets a beautiful courtesan named Otsuyu and her attendant. When He begins to suspect th...
在1968年首映的最后一日,仍然能遇见这样一部令人激动的新片,这无疑是振奋的。
属于慢热型作品,前面有些平淡,熬过开篇后越来越精彩。
《牡丹灯笼》最值得夸的是“整体感”,音乐、画面、表演、剪辑都在同一频道,没有各自为政。
编剧的文字功底扎实,对白既有文学性又接地气,金句频出。
整部作品的节奏把控堪称教科书级别。开篇迅速建立世界观和人物关系,不拖泥带水;中段层层加码,冲突逐步升级;结尾干净利落收束所有线索,不留下烂摊子。每一部分的篇幅分配都恰到好处,不会让人觉得某一段太长或太短。这种节奏感的背后,是编剧和导演对整个故事结构的深刻理解,知道什么时候该紧什么时候该松。
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