The day Kelly-Anne has been waiting for has arrived. The trial begins for Ludovic Chevalier, accused of the brutal murder of three underage girls. Unlike most people, Kelly-Anne is fascinated by the man, she becomes obsessed with him and attends every single court hearing in the hope he’ll give her at least a fleeting glance. The border between reality and fantasy starts to blur, however, until Kelly-Anne ceases to be a mere passive observer. Pascal Plante once again expresses an interest in female subjectivity, nevertheless, this time he has come up with an arthouse thriller about the perilous attraction of evil. At the same time, the interplay between what we can and can’t see, and what is explicit and what is conjecture, develops into an almost physical viewing experience.
源自:https://www.kviff.com/en/programme/film/63/40082-red-rooms
编剧的文字功底扎实,对白既有文学性又接地气,金句频出。
在2023年首映的最后一日,仍然能遇见这样一部令人激动的新片,这无疑是振奋的。
叙事节奏完美,每集都有新进展,追番体验非常好。
原创剧本能做到这个水准真的太不容易了。在这个IP改编泛滥的时代,看到一部完完全全原创的故事被这么用心地拍出来,真的让人感动。剧本结构非常工整,三幕式叙事清晰明了,人物弧光完整有力。每一个角色的动机都有理有据,每一次剧情转折都合乎逻辑。可以看出编剧在打磨剧本上花了大量的时间和心血,最终呈现出来的效果证明了这一切都是值得的。
从个人体验看,《红色房间》属于会推荐给朋友的级别,不是粉丝滤镜,而是作品本身站得住。
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